An Exploration of Dance and Technical Aesthetics in Obatala Festival of Ile- Ife, Osun State, Nigeria.
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Faculty of Social Sciences and Humanities. The National University of Malaysia. Bangi, Selangor, Malaysia.
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Abstract
ABSTRACT
Festivals from African perspective can be said to be religious events in remembrance or in
commemoration of a gods, spirits, ancestors, kings, historical event and so on by African
communities. Interestingly, role playing, rituals, songs, chants, dances and other art forms such
as costume, makeup, properties are significant elements in display during these festivals because
they are perceived as instruments of spirituality, socialization, participation and unity. To this
end, this study examines Obatala festival of Ile Ife as showcased by adherents of the deity. Using
both primary and secondary sources, the study takes a descriptive and analytical look at various
procedural stages of the festival particularly the dances and technical aesthetics that are
embedded in it. Our findings revealed that the dances performed during Obatala festival have
significant styles which are believed to have spiritual, cultural, entertainment and aesthetic
functions to adherents and the Ile-Ife society at large. It also discovered that the symbolic
costumes, make-up, properties and songs of adherents play important roles in the success of the
festival. It therefore, recommends that for originality, continuity and documentation purposes,
researchers should embark on more researches on the festival in other to preserve and project this
rich traditional African religion and culture to the world.
Keywords: Obatala, dance, technical, aesthetics, culture
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Obatala, dance, technical, aesthetics, culture